A Chicken for Suzanne

My dear friend Suzanne is a self-proclaimed "chicken gal" and suburbanite-of-necessity who longs to return to her farmgirl days living in the country with a yard full of chickens.

What better way to celebrate her upcoming birthday than sending an Emotional Support Chicken for her to hug and hold while she dreams her sweet farmgirl dreams?

The Emotional Support Chicken by Annette Corsino is just a downright fun pattern to knit, and I think it looks best when executed in tweedy-ish yarn colorways that are reminiscent of the feathers of real chickens. When I saw the lovely marled colorways of KnitPal Cotton to the Core, I just knew they would produce some lovely chickens well worth adding to any metaphorical flock. For this hen, I'm using Caramel Brown as color A and Fresh Peach as color B.

This yarn is on the lighter side for being labeled as a worsted weight - definitely much lighter than the stuff that Red Heart labels as worsted weight. In my opinion, it's closer to being DK weight. I'm still using the needle size specified in the pattern, though, so we'll see how big this hen ends up being compared to the other ones I've knitted with Red Heart. 😅 

I hope Suzanne loves her new chicken, and if she gives it a name, I will update this post to let all y'all know what it is! 💜🐔💜

I'm pretty sure that Suzanne's chicken is the first one of these that I've managed to sew together according to the way the pattern designer intended. Yay!

Emotional Support Chicken

I just couldn't resist the allure of the Emotional Support Chicken any longer. Meet Scrappy Henrietta! 😍

This pattern arrived on the knitting scene sometime in 2023 or 2024 (I believe), and the internet practically EXPLODED with excitement.

I added the pattern to my Ravelry favorites for safe-keeping but decided to wait before making one. I noticed, however, as the months went by the way the emotional support chicken consistently remained on the first page of Ravelry's "hot right now" designs, suggesting that the internet's adoration for the ESCs had yet to abate. It was on FIRE.

Eventually, I just couldn't resist the pull of the ESC any more.  

I think the thing that put me over the edge was when I discovered that The Knitting Tree LA had made a companion video for the pattern. Checking out the video was my undoing. 😂

Tail part 1

I grabbed a long old scrap of Hobby Lobby's I Love This Yarn in the Jazzy Stripe colorway (left over from an Infinite Granny Square afghan project) and cast on to follow along with the video, which starts at the tail.

Tail part 2

For part 2 of the tail and the main part of the body, I used a couple of long scraps of Red Heart With Love in the Pewter Gray colorway that were left over from when I made my Autumn Mists vest with no pattern.

Tail and main body

I don't know which yarn I used for the neck and head, but it was one long scrap of an ombre-ish yarn with purple, dark pink, and raspberry colors that is probably something by Red Heart, but I didn't have a label for it anymore.

Neck and head added

I used up the remainder of the raspberry ombre scrap for the top end of the undersection piece, and more of the gray yarn to finish the undersection.

Henrietta got a bit wonky as I was sewing her up, where the two ends of her neck stripes don't line up at the front, but hey. She is still adorable, and I wuv her!! She has 15 mm blue safety eyes from a pack that I bought off Etsy years ago from a seller named 6060, who is no longer active on the site. Whenever I'm installing safety eyes, I always use this tool to help set the backs, because it makes it a lot easier for my arthritic hands to handle the task of snapping them on securely.

You might be able to knit a whole ESC by only watching the video, but I think the video really makes a better accompaniment if you also own the written pattern, so before I reached the end of the first tail section, I bought the pattern: And the emotional support chicken claimed yet another willing (happy) victim. 😂

I followed this up by making a friend for Scrappy Henrietta, another Emotional Support Chicken, Scrappy Patty, in colors to match our guest bedroom.

Scrappy Patty and Scrappy Henrietta

 

Scrappy Patty sitting on the bed in our guest bedroom

Scrappy Patty side view

Entries for the fair

This year, I entered two knitted items in our state fair's needle arts competition: a gray version of my Shawlcowl Pullover made with acrylic DK yarn and a blue fingering-weight version of the Zuzu's Petals pullover cowl.

The gray Shawlcowl Pullover got some really nice, thoughtful feedback from the judges.

But, amazingly, the blue Zuzu's Petals earned an Honorable Mention ribbon! As well as some lovely judges' feedback.

 

 

 

Naturally, the entry made by the co-owner of our local little yarn shop took best in show! Way to go, Irina!!! 😍

Irina's entry

 I wonder what I should make to enter into the fair for next year?!?!?

DK Shawlcowl Pullover

I decided to try knitting my Shawlcowl Pullover design in a lighter weight fiber than the pattern calls for. This Hobby Lobby cotton yarn is labeled as size 4, but it's thinner than worsted weight, so to me it feels more like DK. Using the stitch count in the pattern for the large size cowl worked perfectly at this gauge. The finished size of the neck opening is 24 inches. The colorway is Emerald Pine in I Love This Cotton.

Here's a strand of the cotton yarn, on the left, next to a strand of gray DK yarn for size comparison.

I also decided to add one extra lace repeat and a picot bind off to dress up the edge. I used the twisted stitch version of the 2/4 picot bind off from this video tutorial by Nimble Needles. I'm happy with how it turned out. These Shawlcowls look great just worn as an accessory, but they also make wonderful "stealth bibs" to protect your blouse while you're eating! 😄

With the extra lace repeat and the picot bind-off, I used about 1.25 skeins of yarn.

Etsy vs. Ravelry

In creative circles, there is an ongoing debate about which online platform is best for selling patterns: Etsy or Ravelry. And more sites are regularly coming online to also try to grab a piece of the action, such as Ribblr, LoveCrafts, Ko-fi, and more. 

As a pattern designer, I have used both Etsy and Ravelry to sell patterns, so I can speak to this debate from the viewpoint of having used both. 

Etsy charges sellers a fee for their listings (and the listings expire and have to be renewed every X number of days, which means you pay the listing fee again) whether you sell anything or not. Ravelry doesn't charge listing fees, and your listings never expire; it only charges you a fee when you make a sale. Depending on your individual needs and goals, there are different advantages and disadvantages to each platform, so the answer of which platform is best is entirely dependent upon your particular situation. There is no one-size-fits-all best answer.

Witchypoo Scarf

This pattern came to me when I was drifting in that place where I was not quite asleep but not quite awake. It's an easy crescent moon-shaped scarf that can be made with just about any yarn at any gauge. Just in time for Halloween stitching, I present to you the Witchypoo Scarf!

The Witchypoo Scarf can be made in a solid colorway, or a variegated, or an ombre, or in any yarn that your heart desires, but I think making it in two colors really makes the curves of the crescent shape pop visually.

304 stitches on needle

Comprised of mostly mindless, movie-watching-friendly, reversible garter stitch, you only need to pay attention to what you're doing during the first few stitches of each row, where the bottom edging detail is worked as you go.

200 stitches on needle

This pattern is best worked with an interchangeable needle with a long cable (at least 42 inches) to accommodate the large number of stitches.

Seeing the black and purple stripes in my scarf reminds me of the fun witchy-poo striped tights that my daughters used to wear at Halloween, which are memories that bring a smile to my soul. I hope your soul will find reasons to smile, too, as you knit and wear this scarf.

Measuring my gauge

As you can see in the "measuring my gauge" photo above, my gauge is about 4 stitches per inch and 4 rows per inch. Details about the yarn and needles used are on my Ravelry project page.

The scarf grows quickly; the only reason why it took me a couple of months to finish mine is because I was multitasking and working on several other projects at the same time. 😂 

My only question now is: Should I release this scarf design as a paid pattern? Would you be interested in making it if the pattern was available?

Zuzu's Petals - fingering

This is my very first project using fingering weight yarn! And if that weren't a cool enough fact all by itself, the yarn I'm using is a lovely ball that I found at a thrift shop for only 99 cents! How's that for cool?!

The yarn didn't come with a manufacturer's label on it, so I have no idea what brand it is or even what the fiber content is. It kind of feels like it has cotton in it; it might even be 100% cotton, for all I know. I just liked the color - it reminds me of the faded grayish blue of denim blue jeans, and I think it will make a lovely Zuzu's Petals cowlette. This is a paid pattern designed by Carina Spencer.

Because the width of the neck opening was only 16 inches when I reached the end of section 1, I knew I would need to keep adding width to make it be possible to pull the cowlette over my head. I decided to work two more 12-row repeats, hoping that would bring the width to something closer to 20 inches wide, which I figured would be a dimension that would fit better over my head. That meant my final stitch count at the end of section 1 was 151.

End of section 1 with 103 stitches

 

End of section 1 with 151 stitches

As I got toward the end, I was worried about losing at yarn chicken (running out of yarn, in other words). So I skipped the optional purl round and instead went directly to the cast off. But then, after casting off, I could see that I did actually have enough yarn left on the skein to be able to do the purl round, so I tinked back the cast-off round and added the purl round before casting off again. I just knew that I would always regret not having the purl round in there, if I didn't add it, because it really does help straighten out the edge curling, even before blocking. 

Before blocking

I could have saved myself the trouble of tinking back if I had weighed my skein when working the last few rounds. If I had weighed it, I would have been able to know that I'd have enough to work the last optional purl round before casting off. Live and learn! But it was pretty close!

Blocking

Gauge

Haiku Cardi revisited

I really like how well my first Haiku Cardi turned out. (See it in the blog post prior to this one, or at my Ravelry project page here.) 

Dye lots are still a thing, y'all - sigh

I wanted to make the pattern again, but this time I utilized garter stitch to emphasize the stitch definition in the triangle section and also to alleviate some issues I had before with the front placket and sleeve edges wanting to curl. The plackets in garter stitch lie much better without any additional persuasion (i.e., aggressive blocking).

I ended up with 275 stitches across the bottom after rejoining the fronts to the back, which is a few more than the pattern called for, but a minor difference like that doesn't really matter in a project like this.

On this project, I learned the hard way that dye lots are still a thing, which is unfortunate, because the only way I had access to this Denim colorway of Red Heart Super Saver was by buying it through the mail.

Left and right fronts done

Of course, I don't know anything about how companies like Red Heart mass-produce their yarn, but it seems to me that in the 21st century, with the preponderance of all things digital, that companies ought to be able to exert better control over their color reproduction, to the point where dye lots are no longer necessary. (I'm only talking here about BIG companies; naturally I wouldn't extend the same expectation onto smaller or indie yarn producers.)

My stockinette gauge

So, anyway, I very clearly was given a skein from a different dye lot, which cuts a visibly darker line at the top of the lower portion of this cardigan. Nothing to be done about it now, so I'll just consider it a "design feature." Bah-ha-haaaa.

Oops!

I also had an "oops!" moment after rejoining the fronts to the back to start working the "skirt" of the cardigan. You can see the "oops" in the above photo, where I accidentally got one row of the garter stitch pattern wrong. Le sigh!! It's OK, though ... not terribly noticeable.

Considering my ongoing chronic pain issues, coupled with the fact that I'm not a particularly fast knitter, I'm amazed that I was actually able to finish knitting two of these in less than four months. 😊 

As I said, I really like how well this project turned out, and using the garter stitch edgings worked particularly well. I'm going to enjoy wearing this.

Haiku Cardi

 

Finished cardi

It would have been helpful to me if the pattern had provided more of an overview description of the process of how the cardigan will come together, because although I do enjoy patterns with unconventional construction techniques, If I had realized before starting this that the fit of the cardigan would be closer to that of a cocoon-style cardigan with a sort of dolman-type sleeve, I might not have opted to work this pattern, because I generally don't care for cocoons or dolman sleeves.

Nevertheless, I am glad that I made this cardigan. It is a paid pattern designed by Svetlana Volkova. At about 21 inches length, measured from the top of the shoulder, I decided to add pockets of 29 stitches wide by 44 rows deep. I knitted the pocket linings in contrasting black yarn.

Some ways I deviated from the written pattern include making simple kfb increases instead of M1R/M1L increases and adding the pockets. I like the oversized fit even if the cardigan is somewhat less constructed than I had expected before starting the project. Total stitches after rejoining below armholes: 253.

This cardigan begins in the center-back and works upward from there in the shape of a triangle. When the triangle is large enough, the point of the triangle is at the back of the wearer's neck, and the wide side of the triangle wraps around the waist. The slanted sides of the triangle are then worked separately to finish the upper back on each side and wrap around the shoulder and become the upper front on each side. The front sides are then rejoined to the back to form the arm holes and stitches picked up along the bottom of the triangle. Then all stitches are knitted together to make the bottom part of the cardigan.

I do like how this project turned out, but I think if I make it again I will incorporate garter stitch instead of ribbing, because the ribbed front placket on this one wants to fold over toward the stockinette. Hopefully washing and blocking will fix that issue, but I'm thinking that using garter stitch plackets would naturally lie better than the ribbing.