Saturday, August 22, 2026

Montie's True Blues XL blanket

This is just a simple XL corner-to-corner moss stitch crochet blanket worked with two complementary colorways of yarn. 


Recently I saw a reel where crocheters were basically losing their minds in the comments at how beautiful this simple, monochrome C2C moss stitch baby blanket was by Laura of Hook and Fiber Made. It reminded me of how versatile crochet moss stitch is, because it works really well in solid colorways but also just as well in variegated colorways and also in other configurations, such as stripes, and I was fairly certain that it would look nice being worked up in stripes of the two colorways of yarn that I had in mind for this project.

Close up

Hooked by Robin has a good video tutorial on YouTube for how to make a C2C moss stitch blanket. I basically used the same process for this blanket; the only difference was that I used two colorways of yarn, alternating colors every two rows so I could carry the unused color up without ever having to cut it.

The somewhat unorthodox method I used to change colors is very much like what Play Hooky with Me shows in this video tutorial. The differences for me are that I'm working in moss stitch (so, SC and chains) and I'm only changing color at the end of every-other row. After changing colors, chaining and turning the work, I pulled the dropped color strand so it was crossing over the edge where I was working from back to front, where I would crochet over it without catching it in a stitch. (The strand would then be caught by and lie between my turning chains and the first SC of the new row.) That kept the dropped color close enough to pick up again the next time I changed colors, where I would repeat the process, and with marled look of the multicolored yarns I was working with, the "floats" are barely noticeable at all along the edge. If you were concerned about the floats being visible, all you would have to do is to crochet a border on your blanket as a finishing step; the first round of the border would fully conceal the floats.

Edge with floats vs. edge w/o floats

Using that method meant that the only tails I had to weave in at the end were the ones at the start and at the end of the project.

The yarn I used is Red Heart Bitty Stripes in the Horizon (blue) and Seaweed (green) colorways. Those are the same colors that I used to make my new grandnephew Waylon's blanket.

When I first started working on Waylon's blanket, my husband looked at what I was doing and said that he would actually like to have a similar-looking blanket for himself. That was a jaw-dropping moment for me, because if you know my husband the way I do, he NEVER wants me to crochet or knit ANYTHING for him, and he directly said so to me many times over the years. ๐Ÿ˜‚ (Not because he doesn't support me in what I want to do, but because he is very particular about what he will and will not wear, and he doesn't want to hurt my feelings by not wearing something I've made for him if he doesn't choose to wear it.) So for him to tell me that he would actually LIKE for me to make him a blanket constitutes a jaw-dropping moment in my book.


My only concern was that this is not a tunisian entrelac pattern, as Waylon's blanket was. I did admittedly find tunisian crochet a bit challenging, so it wasn't as enjoyable for me, and I didn't want to attempt another tunisian blanket again this soon if I could avoid it. So I worked up a good start on the C2C moss stitch design so that I could give my husband a realistic preview of what the finished blanket would look like. I figured the worst that could happen would be that he said he didn't care for it, and if that happened, I could just finish off the blanket anyway, figure out what to do with it later, and then start on another tunisian one for him.

Another feature of the C2C moss stitch that I like better than tunisian entrelac is that moss stitch produces a fabric that is entirely reversible and looks equally good on either side. And another nice thing about moss stitch is that it grows surprisingly quickly, even though it isn't a tall crochet stitch.

I reached 60 inches wide on the short side of the rectangle after working 41 stripes each of both color A and color B. (Each stripe is two rows.) So the width for the short side of the rectangle was achieved after working 82 stripes, which equals 164 rows. 

60 inches wide

With the target width achieved, now I could stop increasing at one end of the row while continuing to increase at the other end of the row to continue to increase the length of the blanket until the target length of 84 inches was reached. (Details for how to work the "straight" rows are in the video by Hooked by Robin linked above.)

Turning the corner

If I've counted correctly, the straight rows are 167 single crochet stitches wide. Plus the chains in between, for however many total stitches long that is on the diagonal. ๐Ÿ˜…

Gauge view

Slogging through the middle section took months, because those are the longest rows, and they just seemed to go on and on and on and onnnn...

Fair time is coming. CROCHET FASTER!

But, finally, the long side reached its target length, and then I was able to start decreasing at both ends of the rows, heading toward the final corner. Changing colors on the decrease edges works about the same as on the increase edges, in that I would still pull the dropped color across, from back to front, and then crochet over it as I worked the next row, to secure the float where it needed to be to be picked up again. The only difference was making a decrease there instead of an increase.

Turning toward home!

Thankfully, I finished the blanket in time to enter it into our local fair. There's nothing flashy or fancy about the blanket; it's just the biggest single thing that I've ever made, so I wanted to enter it in the fair because of that. ๐Ÿ˜€

Peek-a-boo! (He's standing on the hearth.)

 

Sunday, August 16, 2026

Fair time is coming

Fair time is coming. ... CROCHET FASTER!!!! ๐Ÿ˜‚๐Ÿงถ


This is a candid shot of me working on my C2C moss stitch Montie's giant blanket WIP. The blanket is approximately 80% complete here. The final dimensions will be 60 inches by 84 inches. Whew!!! Here's hoping that I finish it in time to enter it into the fair. ๐Ÿ˜๐Ÿคž

Saturday, July 4, 2026

Facet Keychain wristlet

This is the Facet Keychain pattern by Amy Kate Sutherland of The Graceful Tangle. These keychain wristlets work up super fast and are easy to finish. The pattern is a great way to use up small remnants of cotton yarn. I had a random remnant of this yellow/green/turquoise colorway of Lily Sugar N Cream cotton yarn in my stash. There wasn't quite enough yardage of the colorful yarn to finish two wristlets, so I alternated every two rows with some white cotton for the second wristband.


These would work with a variety of different keychain hardware types. I had these D-ring swivel lobster clasps that I found on Amazon on hand, so that's what I used, but there are many different keychain clasp styles and even ones with prettier finishes available online.

Amy shared this full video tutorial on YouTube:


 

Tuesday, June 30, 2026

Ginkgo Night Moves scarf

This free pattern is Night Moves, a lovely shawl or scarf designed by PurpleIguana. For my project, I followed Fiber Spider's video tutorial and patern mods. His mods begin when we reach the first decreasing row


I also greatly appreciate PurpleIguana's notes about yarn usage that she included on her Ravelry project page. 

The shape of these crochet shells reminds me of ginkgo leaves. 

Fiber Spider project inspo photo

I had a partial cake of the Red Heart It's a Wrap Rainbow in the Foggy colorway that had 134 grams  out of the original 150 grams. (I also had two other full-size cakes on hand.) I wanted to try to use all of the partial cake for this scarf, so, based on the notes on PurpleIguana's project page (linked above), I calculated that I needed to crochet my scarf until it weighed about 89 grams before starting the decrease rows described in Fiber Spider's mods.

I was working from the white end of the cake to the gray end of the cake. On my first attempt, I started the decreases a bit early and ended up with still having quite a bit of the gray left, so I placed a marker to indicate where I started decreasing and then ripped back to that point. Then I crocheted another four-row repeat section using the original (increasing) stitch sequence before starting the decreasing rows again.


As you can see in my photo, the plies of this yarn are not spun at all, which can sometimes make it a bit fiddly to work with. But, overall, it is a lovely yarn that feels soft and light.

Plies not spun

On that second attempt, I ended up running out of the gray a few rows before the end of the scarf, so I stole a few grams of the gray end of one of my other cakes to complete this project. ๐Ÿ˜‚ Hey, it's my yarn stash; I can do what I want with it. ๐Ÿ˜น

Before blocking

I soaked the scarf in a washtub with a splash of Woolite and a few drops of peppermint essential oil mixed in, with the hope that some of the fragrance will remain in the fiber after it's dried. I would have liked to have used lavender essential oil for the fragrance, but I only had peppermint on hand, so I used what I had. But now I'm thinking that I need to add a vial of the lavender to my collection soon (ha!!). This project turned out so well that I'm intending to enter it in the fair this fall, and I would like the fiber to have some lingering fragrance, if possible, to please the judges. ๐Ÿคž

After rinsing and gently squeezing the scarf, I rolled it inside a fluffy bath towel and pressed out the remaining excess water. Then I pinned it to the blocking boards, gently pulling out the bottom sawtooth points and opening up the lace. As you can see in the photos, the blocking makes the scarf several inches taller than it was before blocking. But it would be lovely either way, with or without blocking.

Blocking

Dimensions after blocking: 80 inches by 14 inches. I will be entering this project in our local fair this year.

Friday, June 26, 2026

Levi's shirt gusset

I try to keep a lightweight cardigan or overshirt in the car during the summer for those times when we're already out (running errands, going to doctor appointments, etc.) and we spontaneously decide to stop someplace to eat. Most restaurants keep their summertime air conditioning set to what feels like sub-zero, and I've reached the age where I get uncomfortable when I'm cold or sitting in a draft, so putting on an extra layer goes a long way toward keeping me content on those occasions.

We recently had a day where we were out and about, and we decided it was a good opportunity for us to eat out before heading home, except I didn't have a cardigan with me to put on in the restaurant. So, before heading to eat, we stopped at a shop and bought me this lovely lightweight denim/chambray Levi's shirt to slip on over the t-shirt I was wearing.


The shirt fit me well enough off the rack (I could button it down the front, etc.), and it kept me comfortable at the restaurant, but it was a snug fit, and I could tell that I would like the shirt even more if I added gussets for some extra ease. 

So, a few days later, I searched online and found some lovely light blue floral-print chambray fabric. I ordered 1.5 meters, which was way more yardage than I needed for the gussets, but I figured that I would eventually find a use for the remaining fabric. ๐Ÿ˜‚


Even though the floral fabric isn't stretch chambray (which the description says), it's exactly the color and print that I envisioned using for the gusset panels on my Levi's shirt, so I'm happy with it. (The shirt doesn't stretch, either, so it's actually better that floral fabric isn't stretchy.)

Shirt and fabric before cutting:


First, I measured the length of the side seams (from hem to cuff) to know how long the gusset strips would need to be. My shirt measured about 29 inches from hem to cuff, so I cut my gusset strips from the floral fabric about 32 inches long (to give myself plenty of length for seam allowances) by 7 inches wide.


Before cutting the shirt open along the side seams, I had to remove the cuffs. This step made me a bit nervous, because I hadn't sewn anything with nice cuffs like this before.


I used my seam ripper and worked slowly and carefully until the cuffs came free from the sleeves. I set the cuffs aside to be reattached later.


Whew!! ๐Ÿ˜…


After the cuffs were removed, I took a couple of pins and pinned the tabs (the ones that secure the sleeves when they're rolled up) out of the way inside the sleeves, to keep them safe during the shirt cutting and gusset sewing.

Then it was time to cut the shirt open along the side seams. Using my sharpest scissors, and again working slowly and carefully, I cut as close as I could on either side of the bulky side seams, removing and discarding the strips from the old seams.

The next step was to zigzag stitch along all the raw edges of the shirt and the gusset strips, to minimize fraying later.

Now it was time to start sewing the gusset strips together with the shirt.

I finger-pressed about a 3/8-inch hem along one short edge of each gusset strip and then stitched across that hem to secure it. Then I put one side of the shirt and one of the gusset strips together with right sides facing, carefully lining up the bottom edge of the shirt with the bottom (hemmed) edge of the gusset strip, then sewed the pieces together from hem to cuff using a 3/8-inch seam. I repeated that process for the other three long seams. Then I pressed the seam allowance toward the gussets and topstitched over the seam allowances to secure them.

With all that work done, the only thing left to do was to reattach the cuffs. But, of course, the sleeves were now about 6 inches bigger around than they used to be, with the added gussets. So to get the sleeves to fit the original cuffs, I stitched two rows of basting stitches in the seam allowance of the ends of the sleeves and used the basting to gather the cuffs to a size that would fit in the cuffs. I pinned the inside edge of each cuff to the corresponding sleeve and stitched along that inside edge to secure the cuff to the sleeve. Then I enclosed the raw edge of each sleeve by positioning the outside edge of the cuff in place and topstitching to finish.