A winter vest pour homme

Based on the Improv pattern by Karen Templer, my plan for this is to be a seamless, top-down, cardigan-style vest worked mostly in simple, classic stockinette with K1P1 edging at armholes and button placket/front (worked with the smaller-size needles) and some traditional tortoiseshell buttons. I'm making this for my husband, who needs a replacement for the old aran vest that he reaches for during the chilliest weeks of winter to give him an extra bit of warmth. 

My initial plan was to make this without pockets, but then I realized his original vest has pockets, so I should probably try to add pockets to the new vest by following Marly Bird's tutorial for inset pockets. Another technique that is new to me for this project is picking up stitches along a knitted edge (to add ribbing).

The biggest challenge/question for me, since I'm very slow at hand knitting (and I often have days where I simply cannot knit at all due to chronic pain issues), is whether I'll manage to finish this in time to give it to my husband for Christmas. I cast on for this project on Sept. 21, which gave me about three months to work to meet that goal. Fingers crossed it gets done in time!!! (Spoiler alert: I finished it on Dec. 11! Yay!)

My husband is a person who, even though he supports my enjoyment of knitting/crochet/etc., he has firmly stated right from the beginning his preference that I NOT ever make anything for him because he will refuse to wear it. 

Over time, his declaration has proved to be not entirely true (he has occasionally worn a hat or mitts or a cowl that I've made, sometimes explicitly for him and sometimes not, and he has loved to tatters the blue scarf I knitted for him), but I've always known to generally avoid directing any of my crafting energies toward making items for him.

But when it comes to this vest, I feel like this is a different situation: He has worn the same store-bought knitted vest during winter for decades, and now that THAT vest is wearing out, he's going to need a replacement. I know he prefers neutral, classic design and lines and fit for stuff like this, so I'm attempting to incorporate those values here. I think the trickiest part for me will be achieving the correct fit. As I've worked I've been constantly measuring, checking and rechecking gauge, and comparing size to other items in his wardrobe. Because if this doesn't fit right, I know he won't wear it.

That being said, I've worked out most of this project without using a pattern (other than getting started at the shoulders with Improv), so although I'm familiar with the general principles of garment construction (after decades of sewing/knitting/crochet experience), I'm still nervous to see how the final product for this turns out.

After following the guidelines from Improv for how to begin working a top-down cardigan, I split off stitches to work each of the front panels and the back panel separately, gradually increasing the widths as the lengths grew, then rejoined all the panels below the armhole openings and knit until the bottom of the vest was the right length. I made the armholes slightly oversized, because I knew he wouldn't like to have his arm movement constricted by too-tight armholes.

After rejoining the panels below the armholes, I decided to work the 18 stitches that I cast on below the armholes on each side in garter stitch to give the side panels below the arms a bit of textural differentiation in the torso.

I finished knitting the ribbing at the bottom of the vest the day after Thanksgiving. Two days later, I picked up and knitted the front edging, which extends from side to side behind the neck and includes the buttonholes on the left front. To me it's almost magical the way you can have a curled, gnarled mess of stockinette, but then when you add the edging/ribbing, suddenly the stockinette fabric uncurls and looks gorgeous. I know that's just the way stockinette is (it curls if there's no edge treatment), but it's still fascinating to see it all come together.

Here's the store-bought ye olde aran vest that has served Montie well for many years:

Zebra Fringed Barn Jacket

When I was in first grade I had a classmate who wore a rabbit fur coat that all the girls in my class simply adored. (This was in the 1970s, OK, so wearing fur wasn’t yet culturally verboten.) All I can remember about this girl now is that her name was Elaina and she was of Russian descent. She spoke English with a Russian accent, and to the rest of us 6-year-olds who had never heard a foreign accent like that before, all the words she spoke sounded deliciously exotic to our ears.

As I recall her jacket was made with either a white-mottled-with-black rabbit fur or dalmatian rabbit fur. It was mostly white with black spots. In my mind’s eye the jacket looks more like the mottled rabbit fur photo below than the dalmatian rabbit (notice how the mottling creates some areas that look gray in the transition spaces between the black and white), although I remember her jacket having more white all over than this mottled swatch shows, but memory can be a funny (and incorrect) thing at times.

Anyway, I had several skeins of the Red Heart Zebra colorway yarn on hand, and looking at the colors reminded me of Elaina’s rabbit fur jacket - which, by the way, she never let any of us other girls in class try on (LOL) - so I decided to try to make a vest for myself using this yarn - and then I could pretend I was wearing Elaina’s sumptuous jacket any time I wanted to! :-)

This is a variegated yarn with moderately short color changes. (White about 13-15 inches, gray about 10-12 inches, black about 30 inches.) Personally I think variegated yarns with short color changes look better when worked in crochet vs. knitting.

I started this project back in July 2019 working it as an improvised top-down raglan vest in a granny stitch and got most of the way done with it but then decided I didn’t like the way the vest looked on me. Ultimately I decided to rip it out and start over using the On Point Poncho (paid) pattern as the shape inspiration for a long, fringed barn jacket. Fingers crossed that I like the way it turns out this time …

OK, I’ve reworked the jacket to the point where I can safely say that I do like it much better now by doing the On Point Poncho pattern as a cardigan. The body and fringe (two 14-inch strands folded together and placed in every-other stitch across the bottom hem, resulting in 7-inch fringe) are complete, and now I just have to decide how long to make the sleeves. I think I’ll finish them at 3/4 length (19 rows plus 1 row of SC edging) with minimal tapering (to 60 stitches around).

Total yarn weight: 945 grams or about 4.77 skeins / 976.0 yards.

BOO! My skull balaclava mask free tutorial

Boo! Happy New Year!

Sure, I might have my holidays a little mixed up, but I felt inspired to crochet a skull mask/balaclava on Dec. 31 while waiting for the clock to strike midnight for the new year. I got the idea from the ebook "Manly Knits."

I started out making a basic hat shape in double crochet.

I made the hat length a little longer than standard so that the bottom of the "hat" portion sat just below my eyebrows. At that point, I measured how many stitches wide I would need an opening to be to accommodate both of my eyes (side to side) and continued adding rows to the hat going back and forth (turning my work when I got to the end of a row) to build height on either side of the large space for my eyes.

I had to try the hat on several times during this process to tell by feel when the eye hole space was tall enough for me to see through easily. Then I chained across the gap (using the same number of chain stitches as the number of stitches wide my eye hole space was wide) and joined the chain with a slip stitch to the top of the next double crochet stitch on the other side of the gap.

Then I continued in the round to add a couple more rows of double crochet, making 1 dc in each chain across the eye space, then finished off.

To fill in the vertical space between my eyes, I tried on the hat and placed a stitch marker on the stitch in line with where the inner edge of each of my eyes was in relation to the top of the eye space. Then I reattached the working yarn to a stitch with one of the markers and worked double crochet stitches just until I reached the stitch with the other marker. Then I turned my work and added a couple more rows of double crochet until the height of the section I was working matched up to the total height of the eye space. I broke the working yarn, leaving a long tail, and whip-stitched the center piece I just worked to the bottom of the eye space.

For the finishing touches, I reattached the working yarn to the bottom edge of the mask and worked a few pointy teeth. Lastly, I used a small amount of black yarn to embroider on some nasal "holes," and voila. Creepy enough for you? Bwah-ha-haaa.

This means I already have my Halloween costume ready for when, 10 months from now, come Oct. 31, I will be handing out candy to all the trick-or-treaters. It even fits comfortably over my glasses.