Ric-Rac Panthers Fan Messy-Bun Earflap Beanie

The football team at our hometown high school, the Perry Panthers, has school colors of maroon and gold. They also have white away-game jerseys, and also alternate uniforms that are primarily black. I'm trying to utilize all of those colors in this hat.

Previous times when I've made this Messy-Bun Earflap Beanie (or the regular hat style), it has been using a combination of three colors. This time I'm attempting to make it using four colors. I sketched out several different stripe arrangements before settling on this configuration. I think it works pretty well at incorporating all four colors while still keeping the maroon and gold as the dominant colors.

Let's go, Panthers!!! 2023 GHSA 4A Football champions!

 

Ric-Rac UGA Fan Messy Bun Beanie

Ever since I made one of these beanies for my grandniece Jill almost four years ago, I've been wanting to make one for myself in a messy-bun style (open top). So when Jill's mom, my niece Renee, announced that she would be hosting a party to celebrate the kickoff of Georgia's new football season, I knew that now was the time to grab my yarn and get hooking on this essential accessory. GOOOOOO Dawgs! Sic 'em! Woof! Woof! Woof! Woof! Woof! 🏈

I used scraps of yarn I had in my stash to make this, so, naturally, I ran out of the main red color when I was stitching the brim. I switched to another scrap of red that was a fairly close match to the first red, but there is a tiny bit of difference in the colors. But since this hat is for me, I'm OK with that. 😊

The hat works up quickly, and the cluster V-stitch is super easy while giving the stripes their distinct "ric-rac" look. I use this tutorial on YouTube by Hooked by Robin whenever I need a refresher on how to work the cluster V-stitch. The design is great for showing off the colors of any fandom, and the slouchy, stretchy nature of the beanie is amazingly comfortable for all-game-day wear. The 5/6 ribbed brim in alternating FPDC/BPDC stitches also provides complete, cozy coverage of your ears, which is wonderful on windy autumn/winter game days.

As you can tell by my latest posts, I'm on a beanie-making kick lately, thanks to the approach of fall, my favoritest season in the whole, wide world!! Plus, most crochet hats work up super fast, so it doesn't take long to have your latest favorite hat ready to wear. 

And because crochet hats work up quickly, it also means that I can usually finish one before the arthritis in my hands forces me to take a break from stitching. 👍

 

 

Taylor's Beanie

When Taylor Swift wore that crocheted beanie to watch her boyfriend, Travis Kelce, play football with the Kansas City Chiefs, all of the online yarnie groups went BA-NA-NAS with people wanting to know how to make the same hat. It's the Taylor Effect, y'all.

Anyway, if you love a Swiftie, like I do, then you simply MUST make them one of these beanies. It works up quickly with simple stitches, so it's an easy project that will bring a huge thrill to your Swiftie's heart, because in no time at all they will be able to rock this hat just like Taylor did.

To replicate Taylor's look, it's important to use a bright white yarn for the main color and a rich, vibrant red with blue undertones for the stripe.

You will notice that I have the jersey number "wrong" on the beanie I made. That's because my Swiftie also loves a football player, and he happens to wear jersey number 84 (whereas Travis Kelce wears number 87). 

For the fur pom, I found an affordable pack of faux-fur poms on Amazon.

Photo showing Taylor's faux fur pompom

I am working on writing this pattern, which will be available as a free download on Ravelry. I will link to the pattern page here once it's available. Ravelry pattern link: https://www.ravelry.com/patterns/library/taylors-beanie-3

 

Witchypoo Scarf

This pattern came to me when I was drifting in that place where I was not quite asleep but not quite awake. It's an easy crescent moon-shaped scarf that can be made with just about any yarn at any gauge. Just in time for Halloween stitching, I present to you the Witchypoo Scarf!

The Witchypoo Scarf can be made in a solid colorway, or a variegated, or an ombre, or in any yarn that your heart desires, but I think making it in two colors really makes the curves of the crescent shape pop visually.

304 stitches on needle

Comprised of mostly mindless, movie-watching-friendly, reversible garter stitch, you only need to pay attention to what you're doing during the first few stitches of each row, where the bottom edging detail is worked as you go.

200 stitches on needle

This pattern is best worked with an interchangeable needle with a long cable (at least 42 inches) to accommodate the large number of stitches.

Seeing the black and purple stripes in my scarf reminds me of the fun witchy-poo striped tights that my daughters used to wear at Halloween, which are memories that bring a smile to my soul. I hope your soul will find reasons to smile, too, as you knit and wear this scarf.

Measuring my gauge

As you can see in the "measuring my gauge" photo above, my gauge is about 4 stitches per inch and 4 rows per inch. Details about the yarn and needles used are on my Ravelry project page.

The scarf grows quickly; the only reason why it took me a couple of months to finish mine is because I was multitasking and working on several other projects at the same time. 😂 

My only question now is: Should I release this scarf design as a paid pattern? Would you be interested in making it if the pattern was available?

Zuzu's Petals - fingering

This is my very first project using fingering weight yarn! And if that weren't a cool enough fact all by itself, the yarn I'm using is a lovely ball that I found at a thrift shop for only 99 cents! How's that for cool?!

The yarn didn't come with a manufacturer's label on it, so I have no idea what brand it is or even what the fiber content is. It kind of feels like it has cotton in it; it might even be 100% cotton, for all I know. I just liked the color - it reminds me of the faded grayish blue of denim blue jeans, and I think it will make a lovely Zuzu's Petals cowlette. This is a paid pattern designed by Carina Spencer.

Because the width of the neck opening was only 16 inches when I reached the end of section 1, I knew I would need to keep adding width to make it be possible to pull the cowlette over my head. I decided to work two more 12-row repeats, hoping that would bring the width to something closer to 20 inches wide, which I figured would be a dimension that would fit better over my head. That meant my final stitch count at the end of section 1 was 151.

End of section 1 with 103 stitches

 

End of section 1 with 151 stitches

As I got toward the end, I was worried about losing at yarn chicken (running out of yarn, in other words). So I skipped the optional purl round and instead went directly to the cast off. But then, after casting off, I could see that I did actually have enough yarn left on the skein to be able to do the purl round, so I tinked back the cast-off round and added the purl round before casting off again. I just knew that I would always regret not having the purl round in there, if I didn't add it, because it really does help straighten out the edge curling, even before blocking. 

Before blocking

I could have saved myself the trouble of tinking back if I had weighed my skein when working the last few rounds. If I had weighed it, I would have been able to know that I'd have enough to work the last optional purl round before casting off. Live and learn! But it was pretty close!

Blocking

Gauge

Haiku Cardi

 

Finished cardi

It would have been helpful to me if the pattern had provided more of an overview description of the process of how the cardigan will come together, because although I do enjoy patterns with unconventional construction techniques, If I had realized before starting this that the fit of the cardigan would be closer to that of a cocoon-style cardigan with a sort of dolman-type sleeve, I might not have opted to work this pattern, because I generally don't care for cocoons or dolman sleeves.

Nevertheless, I am glad that I made this cardigan. It is a paid pattern designed by Svetlana Volkova. At about 21 inches length, measured from the top of the shoulder, I decided to add pockets of 29 stitches wide by 44 rows deep. I knitted the pocket linings in contrasting black yarn.

Some ways I deviated from the written pattern include making simple kfb increases instead of M1R/M1L increases and adding the pockets. I like the oversized fit even if the cardigan is somewhat less constructed than I had expected before starting the project. Total stitches after rejoining below armholes: 253.

This cardigan begins in the center-back and works upward from there in the shape of a triangle. When the triangle is large enough, the point of the triangle is at the back of the wearer's neck, and the wide side of the triangle wraps around the waist. The slanted sides of the triangle are then worked separately to finish the upper back on each side and wrap around the shoulder and become the upper front on each side. The front sides are then rejoined to the back to form the arm holes and stitches picked up along the bottom of the triangle. Then all stitches are knitted together to make the bottom part of the cardigan.

I do like how this project turned out, but I think if I make it again I will incorporate garter stitch instead of ribbing, because the ribbed front placket on this one wants to fold over toward the stockinette. Hopefully washing and blocking will fix that issue, but I'm thinking that using garter stitch plackets would naturally lie better than the ribbing.

Making the It's Shawl Good cardigan

Back in 2018, I had four skeins of this beautiful Lion Brand Amazing yarn in the Violets colorway and tried to use them to make the It's Shawl Good Cardigan by Ashlea Konecny of Heart Hook Home. But these four small skeins just weren't enough to get very far on the project, and the colorway had apparently been discontinued. I tried looking to buy more skeins online, but they were mostly being offered for resale at around $25 each, which was WAY more than the retail price I paid for the ones I had, and I really had no intention of spending upwards of $300 just to acquire enough additional skeins that I would need to finish this shawligan project.

So the project languished in my WIP basket for several years. But that yarn was simply too lovely to just sit around like that, so I finally decided to frog the shawligan project and reuse the yarn in this machine-knit pocket scarf.

After doing that, I decided to start again to crochet the It's Shawl Good Cardigan using a different yarn and a larger hook: Big Twist Solids in the Taupe colorway and a 6.5mm hook.

Ashley and I seem to have a similar design aesthetic, so I really enjoy her patterns and the concepts she invents. 

I finished my It's Shawl Good cardigan by adding the pockets from the Lazy Diamond Boho Pocket Shawl. The pockets are about 10 inches square, so they're nice and roomy for keeping hands warm.

Swingy Shawlivest cardigan with pockets

I continue to experiment with my Swingy Shawlivest paid pattern. This time I decided to add sleeves to make a Swingy Shawlivest cardigan-style and also added pockets. I love how this turned out. It's so swingy and almost cape-like; I know this is going to keep me nice and cozy come next winter. You can browse my other Swingy Shawlivest blog posts at this link.

I used a regular DC mesh stitch for this one, rather than the EDC in the original pattern.

After working the body of the Shawlivest to the desired length, I continued working a twisted rope fringe across the hem without cutting the yarn.

To make twisted rope fringe: SC into next ch 1 space. Pull up 16-inch loop and twist 40 times before joining with sl st to top of next DC. Repeat across hem. (Mine ended up with 228 fringes.)

Mikey of The Crochet Crowd has a video tutorial showing an even better method (similar to what I did, but he uses slip stitches exclusively, and his version is probably more durable over time that way, so I recommend doing it Mikey's way). You can increase the space between the fringes by just working more slip stitches in between them, if you wish.

It only took me about two weeks to crochet most of this cardigan. But it took me over a year to actually finish the project because I stalled out while doing the twisted fringe. All that twisting was seriously aggravating the elbow tendinopathy in my dominant arm. I managed to work my way across maybe the first 25% of the hem over a period of about 11 months (that was less than 60 fringes in ELEVEN MONTHS, guys ... seriously — ouch!!!), and then I realized that I just couldn't do it anymore.

I showed the project to my husband and shared with him how defeated I felt by my disability. We both felt it would be such a sad thing if I wasn't able to finish it because of that. He asked me to explain to him what my process was for making the twisted fringe, and then in secret my husband went searching around on the internet trying to find something that would help me finish making the fringe without hurting my arm so much.

What he found was nothing short of magical.

Before my husband found it, I had no idea a tool like this existed.

He found and bought for me a Maple Quad End Fringe Twister from Etsy seller theknitstore. He knew I didn't need a tool with four twisters on it, since I was only making one fringe at a time on this project, but he decided to get the quad twister anyway (the seller also has a dual end option) so, in his words, I would have more possible options for using the tool when I make other things in the future. What a sweet and thoughtful man I married, right?!?!

When the tool arrived I watched a YouTube video on how to operate it, and even though I was only working with one loop being twisted at a time, the tool made the work SO MUCH easier on my arm. Yes, there's still some manual movement involved, but it wasn't nearly as strenuous as twisting the long loops by hand, and the tool made the process so much faster.

Bottom line: After only being able to make around 60 twisted fringe loops by hand over the course of about 11 months, with the fringe twisting tool I finished the remaining 168 loops in ONLY TWO DAYS with no painful aftereffects from the work. No matter how you slice it, that is a definite win.

After completing the fringe, the only things left to do were to add sleeves and also a couple of patch pockets on the front.

I attached the yarn at the bottom of an armhole to begin working the sleeves. I just crocheted in the same mesh pattern using joined rows. I put in some stitch decreases for the first five rows and then worked the rest of the sleeve straight, and then I finished the sleeve with a few rows of fpdc/bpdc ribbing.

For the pockets I used the pocket pattern from the Lazy Diamond Boho Pocket Shawl, and I think they complement the cardigan nicely. The pockets are about 10 inches square, so they're nice and roomy for keeping hands warm. I might add a fabric liner to the pockets later (useful if I want to keep anything small in there, like coins, which might otherwise fall out between the crochet stitches), but I'll see how I feel about that later.

Luna Triangle Cowl

I really like pullover triangle cowls. They look amazing, they are so easy to wear, and they keep your neck, shoulders, and chest nice and cozy. So when I saw the super cute Luna Triangle Cowl paid pattern by Deni Sharpe, I knew I wanted to make one for myself.

I deviated from the pattern in a few ways. First, the pattern is written for bulky (size 5) yarn using an 8mm hook, but I made mine in aran weight (since that's what I had in my stash) with a 6.5mm hook. I also opted to hand knit the ribbed top of the cowl instead of working it in crochet.

The knitted part I did in a lofty and reversible fisherman's rib worked in the round over 80 stitches. I followed the tutorial for this technique at this link. Then I picked up the stitches for the first row of crochet to begin the triangle portion of the cowl. Since I was starting with a different number of stitches for the bottom part of the cowl than was listed in the pattern, I had to adjust the stitch counts for the triangle part of the work.

A winter vest pour homme

Based on the Improv pattern by Karen Templer, my plan for this is to be a seamless, top-down, cardigan-style vest worked mostly in simple, classic stockinette with K1P1 edging at armholes and button placket/front (worked with the smaller-size needles) and some traditional tortoiseshell buttons. I'm making this for my husband, who needs a replacement for the old aran vest that he reaches for during the chilliest weeks of winter to give him an extra bit of warmth. 

My initial plan was to make this without pockets, but then I realized his original vest has pockets, so I should probably try to add pockets to the new vest by following Marly Bird's tutorial for inset pockets. Another technique that is new to me for this project is picking up stitches along a knitted edge (to add ribbing).

The biggest challenge/question for me, since I'm very slow at hand knitting (and I often have days where I simply cannot knit at all due to chronic pain issues), is whether I'll manage to finish this in time to give it to my husband for Christmas. I cast on for this project on Sept. 21, which gave me about three months to work to meet that goal. Fingers crossed it gets done in time!!! (Spoiler alert: I finished it on Dec. 11! Yay!)

My husband is a person who, even though he supports my enjoyment of knitting/crochet/etc., he has firmly stated right from the beginning his preference that I NOT ever make anything for him because he will refuse to wear it. 

Over time, his declaration has proved to be not entirely true (he has occasionally worn a hat or mitts or a cowl that I've made, sometimes explicitly for him and sometimes not, and he has loved to tatters the blue scarf I knitted for him), but I've always known to generally avoid directing any of my crafting energies toward making items for him.

But when it comes to this vest, I feel like this is a different situation: He has worn the same store-bought knitted vest during winter for decades, and now that THAT vest is wearing out, he's going to need a replacement. I know he prefers neutral, classic design and lines and fit for stuff like this, so I'm attempting to incorporate those values here. I think the trickiest part for me will be achieving the correct fit. As I've worked I've been constantly measuring, checking and rechecking gauge, and comparing size to other items in his wardrobe. Because if this doesn't fit right, I know he won't wear it.

That being said, I've worked out most of this project without using a pattern (other than getting started at the shoulders with Improv), so although I'm familiar with the general principles of garment construction (after decades of sewing/knitting/crochet experience), I'm still nervous to see how the final product for this turns out.

After following the guidelines from Improv for how to begin working a top-down cardigan, I split off stitches to work each of the front panels and the back panel separately, gradually increasing the widths as the lengths grew, then rejoined all the panels below the armhole openings and knit until the bottom of the vest was the right length. I made the armholes slightly oversized, because I knew he wouldn't like to have his arm movement constricted by too-tight armholes.

After rejoining the panels below the armholes, I decided to work the 18 stitches that I cast on below the armholes on each side in garter stitch to give the side panels below the arms a bit of textural differentiation in the torso.

I finished knitting the ribbing at the bottom of the vest the day after Thanksgiving. Two days later, I picked up and knitted the front edging, which extends from side to side behind the neck and includes the buttonholes on the left front. To me it's almost magical the way you can have a curled, gnarled mess of stockinette, but then when you add the edging/ribbing, suddenly the stockinette fabric uncurls and looks gorgeous. I know that's just the way stockinette is (it curls if there's no edge treatment), but it's still fascinating to see it all come together.

Here's the store-bought ye olde aran vest that has served Montie well for many years: